Prichett - Steinitz move by move

The Semi-Slav Defense transcends its classification as a mere defensive response to 1.d4. It embodies a dynamic and multifaceted system that offers Black not only solidity in defense but also active counterplay and strategic flexibility. Here’s why the Semi-Slav is more than just a defense:

Rather than passively defending, the Semi-Slav allows Black to counterattack in the center and on the flanks. Moves like …e6-e5 and …c6-c5 often lead to sharp, tactical positions where Black can seize the initiative.

By delaying the development of the knight to f6, Black achieves a solid pawn structure with pawns on d5, e6, and c6. This structure provides a firm foundation for Black’s pieces and restricts White’s options for pawn breaks.

The Semi-Slav leads to strategically rich positions with multiple pawn breaks and piece maneuvers. Both sides must navigate intricate plans, making it a fertile ground for creative play and deep strategic understanding. Within the Semi-Slav, there are numerous variations and sub-variations, each with its own unique characteristics and strategic ideas. Players can tailor their repertoire to suit their style and preferences, whether they prefer solid, positional play or aggressive, tactical battles.

The Semi-Slav has been embraced by many top-level players, including World Champions like Vladimir Kramnik and Viswanathan Anand. Their success with the opening at the highest levels of competition demonstrates its effectiveness and versatility.

In essence, the Semi-Slav Defense transcends its classification as a defensive system by offering Black a rich tapestry of strategic possibilities and dynamic play. It is a complete repertoire choice that can suit a wide range of playing styles and preferences. 173 p.

A reprint of two iconic Botvinnik books combined in one. In this book, Botvinnik writes the story of the three clashes with his compatriot Vasily Smyslov, matches full of tension between two virtually equal opponents, and his match with Tigran Petrosian, which marks the end of an era: the mighty Botvinnik lost his world title fifteen years after he conquered the highest crown for the first time.

A unique look behind the scenes of World Championship Chess. 476 pages

Voilà ce qui s’appelle être réactif : l’ouverture vedette du dernier Championnat du monde (avec majuscule) passée en revue par un ex-champion du monde (avec minuscule). Utile pour ceux qui ont raté les derniers épisodes – et puis au moins, on ne s’ennuie pas en suivant les parties.

Throughout the history of chess, elite players have been studied, celebrated and adored. But there also been  players, while perhaps not regarded as world-class competitors, who had a precious gift, but who did not know (or could not find) the way to success. They were lost in the labyrinth of difficulties that life always places before every human being.

In the end, for various reasons, history forgot this select group of masters. For some, their careers were very bright (as in the cases of von Kolisch, Neumann and Charousek) but also extremely short, limiting their renown and depriving them of deserved laurels. For others, chess turned out to be excessively demanding for which their minds were unprepared. Finally, for a truly unfortunate few, tragedy – always an unwelcome guest – took over their lives and then took life itself from them.

An exceptionally researched historical work, these pages contain the stories of 23 players with a very unique way of understanding chess (sometimes ahead of their time) and who prioritized the artistic side of the game over the results: an approach that was not properly appreciated in their time.

Now, for the first time, Spanish author and chess historian Javier Cordero puts these Forgotten Talents in the limelight. Archival photos and almost 200 selected games nicely supplement the biographies of these star-crossed players who became Lost in the Labyrinth of Life. 288 pages