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Chessboard Neoprene Wood colour
This neoprene chessboard is a standard size, rollable, durable and easy to transport.
Its wood-style look gives it a warm touch and a superior finish, and it's also equipped with annotations (numbers and letters).
Dimensions 51 cm and 55 mm square.
Livraison gratuite à partir de €69 (Belgique, France, Pays-Bas, Luxembourg, Allemagne)
For fourteen days!
All payment cards accepted.
16 other product
Anti-Monopoly
Ivanisevic - Benoni
The Benoni is a chess opening that offers Black excellent chances to play for a win. One of the main reasons for this is that it creates unbalanced positions from the very beginning, which favors the player with a better understanding of the nuances of the position. The Benoni involves Black placing their pawns on d6 and c5, and then fianchettoing their dark-squared bishop on g7. This setup creates a solid pawn structure and puts pressure on White’s center, making it difficult for them to launch a direct attack, while simultaneously threatening the c3 knight and the b2 pawn.
The Benoni is a chess opening that originated in the 19th century, but it wasn’t until the mid-20th century that it gained widespread popularity. The Benoni was initially viewed as somewhat dubious, as it allowed White to gain a strong pawn center with moves like d5 and e4. However, in the 20th century, players such as Mikhail Tal and Robert Fischer began to experiment with the Benoni and achieve success with it. They demonstrated that the opening could create dynamic and unbalanced positions that favored Black’s attacking chances. Over the years, the Benoni has gone through many variations and refinements as players on both sides have sought to find the best way to play against it. Despite this, the opening remains a popular and viable option for Black, offering excellent chances to play for a win in the right hands.
As a player, Ivanišević has had many successful games with the Benoni, including wins against many top-ranked players. He is known for his aggressive and dynamic style of play, which is well-suited to the Benoni’s unbalanced and tactical positions. He has been playing Benoni for more than ten years in both classical and rapid chess formats.
The book ”Benoni“ is an invaluable resource for anyone looking to master this exciting and challenging opening. Whether you’re a beginner or an experienced player, this book is sure to help you improve your game and achieve better results. The book covers all the key variations of the Benoni and provides readers with a deep understanding of the opening’s strategic and tactical ideas. Ivanišević’s extensive experience and expertise with the opening are evident in the book, which is full of practical tips, annotated games, and detailed analysis. 295 pages
Goban 13x13, verso 9x9
Destiné à l'initiation et aux clubs, un petit goban en contreplaqué format 13x13 avec au dos une grille 9x9
Lissowski/Bogdanovich - The wizard of warsaw ( A chess viography of Szymon Winawer)
zymon Winawer was a world top-10 player in the 1870s and 1880s, dueling with such titans as Steinitz, Lasker, Anderssen, Marshall, Chigorin, Zukertort, Louis Paulsen, Janowski, Maroczy, Tarrasch and others, and defeating most of the leading players of his time. He won or took prizes in major international tournaments, including Paris 1867 (second, behind Kolisch and above Steinitz), Leipzig 1877 (fourth, behind Paulsen, Anderssen and Zukertort), Paris 1878 (first equal with Zukertort, though he lost the play-off), Berlin 1881 (third equal with Chigorin, behind Blackburne and Zukertort), Vienna 1882 (first equal with Steinitz), and Nuremberg 1883 (first, ahead of Blackburne).
Winawer was a proponent of fighting chess, regularly deploying the King’s Gambit and Ruy Lopez as white, demonstrating winning combinations as well as positional sacrifices and endgame precision. He attacked the castled king with his h-pawn 150 years before Alpha-Zero. He displayed technique using Horowitz bishops and opening the g-file. At the same time, we see in the book that he also played solid positional chess. Moreover, several opening ideas are named after him, including the popular Winawer Variation of the French Defense.
The Warsaw-born player was not a chess professional and never published any annotated games of his own, but some of his concepts, both in the opening and in the middlegame, are still valid in the 21st century. Indeed, many strategic ideas (blockade, exploiting doubled pawns, maneuvering) described in the works of Nimzowitsch and other hypermodernists can be found, in embryonic form, in the games of Winawer played half a century earlier.
In the first half of this biographical work, Warsaw-based chess historian Tomasz Lissowski, who has co-written books on Kieseritzky and Zukertort among others, portrays Winawer’s life and his sporting achievements in the context of the epoch. This book delivers not only a description of the evolution of chess in Poland in the nineteenth century, but a sense through the prism of chess of the political and social history of Poland and the Austro-Hungarian, German and Russian empires in a period of war and upheaval. It is illustrated by many historical photos from the period.
In the second half of this book, International Master Grigory Bogdanovich paints Winawer’s creative portrait, as well as examining the legacy that this ingenious improviser left to chess culture. The book contains in total 132 annotated instructive games and fragments of Winawer and his contemporaries. 301 pages
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Supreme Staunton chess pieces - Ebony
This beautiful Staunton chess pieces earn a point in their history; in the 19th century, London was a major center for the production of chess pieces. John Jaques, one of the main ivory and wood turner then, decided to better the appearance and it's function of the chess pieces. Together with his partner Nathaniel Cook, they finish their model in 1849 and record it in honor of Howard Staunton, a former charismatic chess player and journalist. A kind of marketing hit ahead of its time.
The Staunton chess pieces are stable by their broad base and the general aesthetics of the pieces is transformed: The tower is an impregnable fortress, the line of pawns is refined, the miter of the runner is simplified, it is now more easier to distinguishes the crown of the king thanks to the cross, from the lady her pointed collar. And above all, the ultra-realistic appearance of the horse raises the desire to fight on. Style which we clearly find inspiration back in the frieze of the Parthenon, a masterpiece of Greek sculpture in the 5eeuw BC. which is largely preserved in the British Museeum London.
The Staunton pieces quickly had a great success and were officially prescribed in 1924 for competion. Different variants of Staunton since the original model made in 1849 are now all over the world available for chess players, but they remain faithful to the "John Jaques style".
The Supreme Staunton chess pieces are felted and weighted. They are cut in a dense, valuable ebony, an exceptional deep black. They are perfectly polished, smooth and shiny, and fine glittered with oxalic acid crystals. Giving them as recollected more brilliance to light.
They will perfectly suit on a chess board with squares of 55 mm.
Échiquier souple n°3 (cases 40 mm)
Échiquier en vinyle souple vert ou marron n°3, lettré-chiffré, avec cases de 40 mm.
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